Smirnoff Veronica
"I strive to create a personal, but at the same time well-known, intricate folklore reality filled with meaning in its "blue sky", despite the mythical and practical shortcomings."
Veronica Smirnoff is a British artist of Russian origin (born in Moscow, Russia, 1979). She received a bachelor's degree from the Slade School of Art and a postgraduate diploma from the Royal Academy of Arts. She held her first solo exhibition at the Riccardo Crespi Gallery in Milan (2008). Smirnoff has exhibited in Moscow, Paris, Berlin, New York and London. She was selected to participate in the John Moores Painting Prize UK (2010). She lives and works in London.
Constantly rethinking and referring to the Renaissance and iconography, folklore and Asian traditions, the paintings are built using traditional elements - the fragility of gesso and the hardness of wood, with pigment ground from semiprecious stones mixed with egg yolk and wine to make paints. Wooden support boards are made of oak in Russian monasteries and consecrated. Layer by layer, the surface is covered with texture, and then sanded to a sedimentary surface. Smirnoff is fascinated by the idea of an "icon" as an object of worship and its close connection with "folk art" with a wide repertoire of signs: flat modeling of figures, conditional space and abstract color effects.
"Everyone loves good stories — this childhood feeling is deeply ingrained in our collective memory. It awakens the ancient instinct of elementary surprise and amazement that we once possessed. As in a good story, seeing is always forbidden. Everything amazing depends on one thing that is hidden. It harbors a potential drama in terms of imagery, when the eye slowly opens and creates meaning. The details are hidden, but important.
Working with egg tempera on wood, one of the oldest and most refined techniques, I use elements of icon painting and painting of the early Renaissance, Asian traditions and folk art, as well as modern cultural references. This particular visual language is partly imbued with my Slavic roots, but it is obviously inspired by other sources as well — I take materials, symbols, ideas and gestures from many sources and rethink them in the process of transforming painting. In a way, I use this process to give meaning and significance to my stories, constantly exploring and rethinking the images both from the outside and from the inside.
The egg tempera technique plays a key role in its methodology, working with its texture and fluidity, leaving vast expanses of color layers and brush strokes to their fate when drying horizontally. As if by magic, the surface becomes permeable, and the intricate detailing in some places is designed to emphasize the dialogue between abstraction and figurativeness, allegory and materialization.
I create drawings from tiny dots or thick contours, and then, following the technique of the old masters, transfer the images to a primed board. Ideas arise from free sketches, special sensations from the surrounding world, from recordings of impressions, which leads to a combination of different registers and the mutual arrangement of objects, the flat formation of surfaces and the distortion of perspectives. There is a deliberate contradiction between how much I recognize the original and how much I am guided by pure intuition, when traditional observations and approximations connect disparate images together and turn them into open narratives with their inner logic and eternal hope for the blue sky ahead."
Veronica Smirnoff, artist
EDUCATION:
- 2004-2007 — Royal Academy of Arts - Postgraduate Diploma in Fine Art
- 1999-2004 — Slade School of Fine Art, UCL - BA in Fine Art with 1st Class Honours
- 1998 -1999 — Wimbledon School of Art - BTEC Foundation Diploma in Fine Art and Design
PRIZES, SCHOLARSHIPS AND AWARDS:
- 2006 — Alumni Award, Royal Academy of Arts
- 2005 — Boundary Prize
- 2004 — Terence Cuneo Prize in Fine Art
- 2003 — Rodney Burn Prize in Fine Art
- 2001-2002 — Scholarship to the Academy of Fine Arts in Vienna
SOLO EXHIBITIONS:
- 2024 — BlueSky Red, Candida Stevens Gallery, London
- 2018 — Tales of Bright and Brittle, Riccardo Crespi Gallery, Milan
- 2017 — The Greater and Lesser Ways, Jessica Carlisle, London
- 2013 — Beyond The Shore, Riccardo Crespi Gallery, Milan
- 2012 — The Madding Spring, Vela Gallery, London
- 2010 — Zhar, Stanislas Bourgain Gallery, Paris
- 2008 — Morozka, Riccardo Crespi Gallery, Milan
SELECTED GROUP EXHIBITIONS:
- 2025 — Fair |catalog| November, a—s—t—r—a Gallery, Moscow, Russia
- 2024 — Bryan O'Sullivan Collection, London
- 2023 — Candida Stevens, Chichester
- 2023 — If you could save one place, London Art Fair, London
- 2022 — Hologram, Wall Art Gallery, Miami
- 2022 — Place-Place, Candida Stevens Gallery, London
- 2022 — Manana Incierto, Bilbao
- 2022 — Manana Incierto, London
- 2022 — Dream Baby Dream, Venice
- 2021 — PAW, Palermo
- 2021 — Art Moscow, Moscow
- 2019 — Heat, 58th Venice Biennale, Venice
- 2019 — Walking Dream, MiArt, Milan
- 2018 — Painting Now 2, Riccardo Crespi Gallery, Milan
- 2016 — Sting & Trudie Styler: The Composition of a Christie's Collection, London
- 2015 — Painting Now, Riccardo Crespi Gallery, Milan
- 2014 — "Future Worlds", Erarta Gallery, London Walls, Pushkin House, London FROWARD, Eton College, Eton Renewal of the Sacred, House of the Nobleman, London
- 2014 — "The Future can Wait", Saatchi Gallery and the New Sensations program on Channel 4, London
- 2013 — "Everywhere, except now", 4th Thessaloniki Biennale, Greek Museum of Modern Art, Thessaloniki
- 2012 — "Dreaming Beauties", Riccardo Crespi Gallery, Milan
- 2012 — Opulant Vision, Group Exhibition, FORD Projects Gallery, New York
- 2011 — "The Return", "The Nobleman's House", London Allegory, Salon Vert Gallery, London
- 2010 — John Moores Prize in Painting, Walker Art Gallery, Liverpool
- 2010 — BRIC Themed Auction, Saatchi Gallery, London
- 2009 — "Women Worth Watching", Christie's, London
- 2009 — Self-portrait of a lady, Riccardo Crespi Gallery, Milan
- 2009 — RA Sotheby's Auction, London Society of Modern Art, Gothic Auction, Sotheby's, London
- 2008 — RXArt, "Invasion/Evasion in New York", Baibakov Art Projects, Moscow
- 2008 — Sotheby's Charity Auction, London 2008 — Royal Academy of Arts, London
- 2008 — Transferred as Present, York Art Gallery, York
- 2007 — The End Begins: The Lodeveans Collection, The Hospital Gallery, London; Royal Academy of Arts, London MiArt Fair, Milan
- 2006 — TGU, Zoo Art Fair, London Lenin Lovers, CuratorSpace Gallery, London Premiums, Royal Academy of Arts, London
- 2005 — TGU, Zoo Art Fair, London Baroquerocks, Espace Brochage Express, Paris Center for Contemporary Art, Moscow
- 2004 — 18-45, Tascheles Gallery, Berlin
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