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29.07.2024

Myachina Anastasia

Myachina Anastasia is a visual artist originally from Samara, living and working in St. Petersburg.

In 2017-2019 studied at Lobachevsky NNGU at the philological department. In 2017 she participated in the PROscenium laboratory of the art group “ProvMyza”. Since 2022 participated in group exhibitions in St. Petersburg, Moscow, Nizhny Novgorod and Rome. Since 2023 she has been studying at the Bakstein Institute of Contemporary Art in the New Artistic Strategies program.

Myachina Anastasia is a visual artist originally from Samara, living and working in St. Petersburg.

In 2017-2019 studied at Lobachevsky NNGU at the philological department. In 2017 she participated in the PROscenium laboratory of the art group “ProvMyza”. Since 2022 participated in group exhibitions in St. Petersburg, Moscow, Nizhny Novgorod and Rome. Since 2023 she has been studying at the Bakstein Institute of Contemporary Art in the New Artistic Strategies program.

EDUCATION:

  • 2023 — 2025 ICA Moscow (IPSI)
  • 2023 — 2024 Common Ground Lab, curated by Alina Belishkina and Ekaterina Yushkevich
  • 2023 — Letter in Komarovo residence curated by Alina Belishkina, St. Petersburg
  • 2023 — Art Lab at Foto.Department, course by Nadezhda Sheremetyeva, St. Petersburg
  • 2022 — Academy of Contemporary Photography “Fotografika”, St. Petersburg
  • 2017 — Art Lab “Proscenium”, curated by art group ProveMyza, Nizhny Novgorod

EXHIBITIONS:

  • 2024 — a—s—t—r—a open.vol. 5, a—s—t—r—a gallery, CCA Winzavod, Moscow
  • 2024 — PAF: All Flowers, St. Petersburg
  • 2024 — XII Winwin, Winzavod, Moscow
  • 2024 — PrintMarket, ZernoGallery, St. Petersburg
  • 2024 — House Upside Down - St. Petersburg
  • 2023 — Loosen Art, Rome, Italy
  • 2023 — “Anthropoland”, Nizhny Novgorod
  • 2023 — “Re:store - everything is possible”, Moscow
  • 2023 — NIZINA, zine-festival, St. Petersburg, Russia
  • 2023 — SamIzdal, festival of samizdat books and zines, St. Petersburg
  • 2022 — “Tax on the Road”, St. Petersburg

“My practice is organized around linguistic and semiotic concerns within the field of the visual -- exploring the internal politics of the gaze and the limits of representation, I work with phenomena such as perception, image origination, literalism, mythological aspects of perception, artistic thinking and memory.

In the project “572, my charm personal” I investigate the remnants of representations of mythological thinking at the interface with algorithmic thinking through the collision of different contextual images.
In the 'in other words' project, I explore the inner workings of art production, the emergence of meaning and the ultimate idea, using and critiquing from within the medium of photography.”

Anastasia Myachina, artist

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