24.04.2022
Shinra
The most simplified form of illustration of the Spirit of Time created by mankind is a kaleidoscope. It is a complete object, in the quantitative and qualitative composition of which nothing changes - the same universe, while the result of observing the structure of its external manifestation always turns out to be different.
MANIFEST
The Spirit of Time
Unlike humanity, for which time serves as a system of measurement of its linear existence in space, the Spirit of Time knows neither its beginning nor its end, it is eternal - always was and always will be. It infinitely absorbs into itself what the universe is at each particular point of its existence. The Spirit of Time never changes its essence, unlike the human perception of the world, which seems to people to be changing and evolving. The Spirit of Time and its essence exists unchanging. It is that which is always changing, remaining always unchanged.
Based on the law of conservation of energy - matter changes its form unceasingly, while remaining the same matter in its broadest sense, with the same quantitative and qualitative parameters and properties that remain with it, regardless of its momentary form and external manifestation.
The most simplified form of illustration of the Spirit of Time created by mankind is a kaleidoscope. It is a complete object, in quantitative and qualitative composition of which nothing changes - the same universe, while the result of observation of the structure of its external manifestation always turns out to be different.Each person on his own interacts with the Spirit of Time in the likeness of a kaleidoscope, obtaining as a result his own sense, manifestation and vision of Spirit at the particular segment of life in which he now finds himself.
Every form carries with it its natural essence. Any symbol has its own obvious, intuitively perceived, universal meaning, not belonging to any man-made cultural system. At the moment of the visual and semantic connection of inherently different forms, something new emerges. It is in the birth of this new that I see the meaning of my works.
Working in digital space gives me an endless opportunity to operate with form with mathematical precision. In each painting I go from death to life - initially each individual element of the painting is brought into a completely symmetrical state - a state completely inimical to nature and in many ways perceived as "inanimate. And it is only in the very interaction of these perfectly proportional symbols, forms, meanings that life is found. A canvas created from ideal and thus artificial parts comes to life when some new common sense emerges in the connection of all its parts.