New Wave Collector's Choice
Dear collectors!
Thank you for agreeing to become a participant in a project that is important for the a—s—t—r—a gallery and the art market.
The exhibition will open on July 8 at 19:00 in the a—s—t—r—a gallery at Winzavod as part of the evening of vernissages.
The exhibition "Portrait of a New Wave Collector" is a study in which we want to solve several problems or, at least, lay a solid foundation for this:
- introduce art market participants to new players;
- identify the main motivations that inspire art collecting and investing in culture today;
- consider various collecting strategies that may open the way to patronage in a broader sense;
- hear feedback on the functioning of the art market and see the problem areas that you encounter.
What is the mechanics of the project I am inviting you to participate in:
Step 1: I ask you to choose one work from your collection by July 2 (regardless of where it was acquired, what technique it was made in, what period it was created in, etc.), which is personally significant for you or became a turning point in your collecting journey or has another story that would be interesting to tell in connection with you. I would like to ask you (in compliance with all legal formalities) to exhibit this work in the space of the a—s—t—r—a gallery (Winzavod Сontemporary Art Center, 4th Syromyatnichesky per., 1/8, building 9, entrance 22) for the period from July 4 to August 31, 2025.
Step 2: under this letter we have compiled a catalog of works located in the archive of the a—s—t—r—a gallery, and we ask you to select 1 to 3 works you like by July 3, one of which we will integrate into the exposition of the exhibition with the note "Choice of collector X" and which will be available for sale to visitors of the exhibition.
Step 3: I know for sure that all collectors have the gene of a pioneer in their DNA. So on July 1st I will send you a link to a selection of works by young artists who are currently participating in the open call a—s—t—r—a OPEN Vol.7, from which I ask you to select those who will participate in the exhibition and, perhaps, get that very chance to advance in their careers by July 3rd.
Step 4: an interview about you and your collection. This will not take much time: the conversation can be personal with me, or these will be written answers or audio messages, which will later form the basis of research and, perhaps, supplement the database of interviews with Russian collectors in the archives of the Garage Museum.
Understanding the difficulties along the way and the prospects that inspire you in this way of investing in culture will help me initiate positive changes in the art market through the programmatic activities of the Gallery Association, of which I am a member of the Board, and analyze new trends in the modern philanthropic movement in order to more effectively popularize philanthropy and make it (someday) a new norm.
As if it all looks complicated, but I assure you, it is not. This is a game that will enrich both us, the organizers, and you, due to the fact that it will become the basis for systemic changes in the cultural sphere and will bring joy and novelty to this rainy summer.
With gratitude and love,
Alina Kryukova
founder of a—s—t—r—a gallery
About the Biennale
The Biennale of Private Collections is a joint statement by more than 50 cultural institutions operating in Moscow, St. Petersburg, Nizhny Novgorod, Yekaterinburg, Apatity, Kazan, Samara, Ufa, Kaluga, Vladivostok, Tomsk and other cities of Russia.
They all talk about “their” collector, significant for them and for the territory in which they are located. Galleries, cultural foundations, art centers, museums of private collections over several months present exhibition, publishing and educational projects in which the collector is defined as an iconic figure for the history of art and the formation of the cultural landscape.
A collector is a guide who connects time with his personal view of art. He preserves the legacy of the past and actualizes it in the present, is able to look into the future, supporting the artists of his time, and outlines the vector of art development for years to come.
Through the projects of the Biennale participants, the viewer will be able to see what is most often hidden from him: the choice of a specific person, the art with which he lives and which reflects both himself and a certain time. And he will definitely be able to understand a little better who a collector is - and how he changes our life, environment and cultural context with his personal choice.
About the foundation
The New Collectors Foundation was created in 2023 by a group of collectors and experts in the field of culture: Marina Loshak - chief curator of the Joseph Brodsky Museum "One and a Half Rooms", director of the Pushkin State Museum of Fine Arts. A.S. Pushkin (2013-2023), Ekaterina Lapshina – entrepreneur, philanthropist and CEO of ERA Capital, Anton Belov – director of the Garage Museum of Contemporary Art (2010-2025), Mikhail Kamensky – art critic, CEO of the auction house Sotheby's Russia&CIS (2007-2016) and collector Anton Kozlov.
The Foundation is a systemic non-profit platform that establishes relationships between art collectors and the main participants in artistic processes.
The Foundation studies and popularizes collecting practices through exhibition, educational and outreach formats, opening up new opportunities for people interested in collecting.
Works that we recommend

Yuldash Dishon
Wood Body Bug #8 from the series "Paranormal Phenomena", 2025
Дерево Тик, алюминий
26 х 35 х 21 см
175 000 ₽

Alien Jolie
Chair without support covered with a bouquet, 2023
Canvas, oil, acrylic, pastel
120 х 90 см

Sonin Sergey, Samorodova Elena
Stove Tile "The Hare and the Snowbird Girl", 2025
Керамика, роспись по сырой эмали
56 х 34 см
250 000 ₽

Sonin Sergey, Samorodova Elena
Stove Tile "The Hare and the Snowbird Girl", 2025
Керамика, роспись по сырой эмали
46 х 36 см
250 000 ₽

Mas Oksana
1154 (Biomorphic realism), 2019
Acrylic, oil, oily pastel, plastic paint on canvas
70 x 50 cm
1 200 000 ₽

Agureeva Mariya
The river of time, 2022
Shells, plastic, stone, marble, natural wax, burnt wood, macroflora imprint
80 х 126 х 17 см
880 000 ₽

Agureeva Mariya
What I no longer remember, 2022
Сгоревшие фрагменты дерева, камни, мрамор, окаменевшие фрагменты древесины, пластик, кость
80 х 126 х 17 см
900 000 ₽

Mas Oksana
Total Wi-Fi 26, 2020
Author technique, author stikery, special varnishes, acrylic, pencil
200 x 170 cm
2 500 000 ₽
Alien Jolie
A shadow in the dark shines brighter than a lantern, 2023
Canvas, oil, acrylic
120 х 150 см

Kuznetsova Daria
Olya, 2019
Wood carving, varnish, KALE KiLiT 164 F5 keyholes and keys, various guitar strings, electrical terminals, bolts
40 х 63 х 9 см
390 000 ₽

Sonin Sergey, Samorodova Elena
Stove Tile "The Hare and the Snowbird Girl", 2025
Керамика, роспись по сырой эмали
46 х 25 см
250 000 ₽

Voskresenskiy Egor
ES SE Н ОМ О from "Almost Biblical" series, 2025
Бумага, смешанная техника, чернила, растворители, пигменты, акварель, темпера, пастель, земля
40 х 70 см
120 000 ₽

Voskresenskiy Egor
ES SE Н ОМ О from "Almost Biblical" series, 2025
Бумага, смешанная техника, чернила, растворители, пигменты, акварель, темпера, пастель, земля
100 х 80 cm

Agureeva Mariya
Untitled, 2020
Пластик, камень, кварц, алюминий, зеркало, деревянная рама (ясень)
58 х 47,5 см
200 000 ₽

Voskresenskiy Egor
ES SE Н ОМ О from "Almost Biblical" series, 2025
Бумага, смешанная техника, чернила, растворители, пигменты, акварель, темпера, пастель, земля
100 х 80 cm
170 000 ₽

Voskresenskiy Egor
ES SE Н ОМ О from "Almost Biblical" series, 2025
Бумага, смешанная техника, чернила, растворители, пигменты, акварель, темпера, пастель, земля
70 х 50 см
120 000 ₽

Voskresenskiy Egor
ES SE Н ОМ О from "Almost Biblical" series, 2025
Бумага, смешанная техника, чернила, растворители, пигменты, акварель, темпера, пастель, земля
100 х 80 cm
170 000 ₽

Voskresenskiy Egor
ES SE Н ОМ О from "Almost Biblical" series, 2025
Бумага, смешанная техника, чернила, растворители, пигменты, акварель, темпера, пастель, земля
70 х 50 см
120 000 ₽

Sonin Sergey, Samorodova Elena
Stove Tile "The Hare and the Snowbird Girl", 2025
Керамика, роспись по сырой эмали
46 х 40 см
250 000 ₽

Voskresenskiy Egor
Motherhood, 2024
Бумага, смешанная техника, чернила, растворители, пигменты, акварель, темпера, пастель, земля, глина, лак
60 х 86 см
120 000 ₽

Voskresenskiy Egor
Motherhood, 2024
Бумага, смешанная техника, чернила, растворители, пигменты, акварель, темпера, пастель, земля, глина, лак
50 х 85 см
120 000 ₽

Voskresenskiy Egor
ES SE Н ОМ О from "Almost Biblical" series, 2024
Бумага, смешанная техника, чернила, растворители, акварель, пастель, известняковая пыль, земля, штукатурка
85 х 60 см
120 000 ₽

Voskresenskiy Egor
ES SE Н ОМ О from "Almost Biblical" series, 2024
Бумага, смешанная техника, чернила, растворители, акварель, пастель, известняковая пыль, земля, штукатурка
80 х 60 см
120 000 ₽

Voskresenskiy Egor
ES SE Н ОМ О from "Almost Biblical" series, 2024
Бумага, смешанная техника, чернила, растворители, акварель, пастель, известняковая пыль, земля, штукатурка
84 х 61 см
120 000 ₽

Voskresenskiy Egor
ES SE Н ОМ О from "Almost Biblical" series, 2024
Бумага, смешанная техника, чернила, растворители, акварель, пастель, известняковая пыль, земля, штукатурка
86 х 60 см
120 000 ₽

Doeshvili Kirill
The mouths of the times are chained to the source, 2023
Paper, mixed media
80 х 150 см
150 000 ₽

Sonin Sergey, Samorodova Elena
Stove Tile "The Hare and the Snowbird Girl", 2025
Керамика, роспись по сырой эмали
51 х 37 см
250 000 ₽
Agureeva Mariya
Untitled, 2020
Пластик, обожженное дерево, алюминий, деревянная рама, зеркало
29 х 21 х 3 см
160 000 ₽

Agureeva Mariya
What Silence Hides, 2021
Пластик, ракушки, окаменелая раковина гонеотита, макрофлора (возраст около 289 миллионов лет), обожженная древесина, камни
58 х 47,5 см
935 000 ₽

Kuznetsova Daria
By the window, 2018
Wood carving (pine), acrylic lacquer, oil painting on old board, wax, steel
55 х 39,5 х 18,5 см
355 000 ₽

Yuldash Dishon
Wood Body Bug #4 from the series "Paranormal Phenomena", 2025
Дерево Тик, алюминий
26 х 35 х 21 см
270 000 ₽

Doeshvili Kirill
The sense of necessity is inseparable from the sense of feeling, 2023
Watercolor, mixed technique
84,5 х 123,5 см
60 000 ₽

Yuldash Dishon
Wood Body Bug #9 from the series "Paranormal Phenomena", 2025
Дерево Тик, алюминий
26 х 35 х 21 см
175 000 ₽

Yuldash Dishon
Baquet Moral #III Big, без дна, 2021
Aaluminum, porcelain, stone mass, perfume
57 х 50 см
385 000 ₽

Sonin Sergey, Samorodova Elena
Stove Tile "The Hare and the Snowbird Girl", 2025
Керамика, роспись по сырой эмали
54 х 29 см
250 000 ₽

Sonin Sergey, Samorodova Elena
Stove Tile "The Hare and the Snowbird Girl", 2025
Керамика, роспись по сырой эмали
55 х 31 см
250 000 ₽

Sonin Sergey, Samorodova Elena
Stove Tile "The Hare and the Snowbird Girl", 2025
Керамика, роспись по сырой эмали
41 х 21 см
250 000 ₽

Sonin Sergey, Samorodova Elena
Brother Hare in the Spring Gardens, 2024
Керамика, роспись по сырой эмали
Высота 20 см
330 000 ₽

Sonin Sergey, Samorodova Elena
Brother Hare in the Spring Gardens, 2024
Керамика, роспись по сырой эмали
37 х 35 см
250 000 ₽
